In my extensive reading about the Apache Wars era, I came across repeated references to a fascinating and telling tactic used by Apache warriors. Determined to live beyond the control of the U.S. government—whether to conduct raids or simply to return to their traditional ways—some Apaches would escape the reservations and head into the vast, unforgiving landscapes of the Southwest. To create more distance between themselves and the pursuing cavalry, they would often cut the telegraph wires—then cleverly reconnect the severed ends with a leather thong. This small act of sabotage wasn’t just practical; it was strategic. The wires looked intact at a glance, but the signal was broken, which delayed the army’s communications and gave the Apaches precious time. That image—the cut wire, deceptively mended—struck me as deeply symbolic. It spoke of resistance, ingenuity, and a fierce desire for autonomy. That’s what inspired Cutting the Talking Wire. It’s about more than a historical act; it’s about a people asserting their will to live free, even in the face of overwhelming force.

This piece was painted for this show.