Scottsdale Art Auction
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Spring 2026 | Session 2 (Lots 196-462)

Sat, Apr 11, 2026 03:00AM EDT
  2026-04-11 03:00:00 2026-04-11 03:00:00 America/New_York Scottsdale Art Auction Scottsdale Art Auction : Spring 2026 | Session 2 (Lots 196-462) https://bid.scottsdaleartauction.com/auctions/scottsdale-art-auction/spring-2026-session-2-lots-196-462-22666
This will be a two-day auction April 10th and 11th, 2026 featuring over 400 works. All lots displayed and open to the public for viewing beginning March 23, 2026 in our state-of-the-art exclusive showroom in Scottsdale, Arizona. Private viewing can be arranged by calling (480) 945-0225 or email info@scottsdaleartauction.com. Scottsdale Art Auction miranda@scottsdaleartauction.com
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Morgan Weistling (b. 1964) 30 x 18 inches
Lot 344

Morgan Weistling (b. 1964) 30 x 18 inches

Estimate: $15,000 - $25,000
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Starting Bid
$10,000
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$2,000 $250
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$20,000 $2,500
$50,000 $5,000
$100,000 $10,000
Artist: Morgan Weistling Title: Trusted Friends Medium: Oil on canvas Dimensions: 30 x 18 inches Signed: Signed and dated 2004 lower left Framed/Base: 37 x 25 inches

Condition

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This lot's overall appearance is Excellent. For more details please view the attached Condition Report.

Condition Reports are for guidance only and should not be relied upon as statements of fact, and do not constitute a representation, warranty, or assumption of liability by Scottsdale Art Auction. Scottsdale Art Auction strongly encourages in-person inspection of items by the bidder. All lots offered are sold “AS IS”. Please refer to item two (2) in our Terms and Conditions for further information.

Overall Dimensions
Height: 37.00
Width: 25.00

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Provenance:
Private collection, Massachusetts
 
Literature:
A Brush with History: The Paintings of Morgan Weistling, Vicki Stavig, Blackhammer Press, California, 2018, p. 41.
 
Morgan Weistling is a storyteller in the same way Norman Rockwell is a storyteller—everything one needs to complete the visual journey is right there in the paint. For portraits, Weistling focuses first on the structure of the face, before filling in the details. “Weistling has many approaches to his paintings and each subject dictates his decisions on how much preliminary drawing will take place. In this case, a portrait, he uses a direct method of working from a fixed spot in the middle and finishing as he works outward,” writes Vicki Stavig in A Brush with History: The Paintings of Morgan Weistling. “The canvas is toned first with an approximate value and temperature of his model. Beginning with the eye sockets, he lays down the foundation by which all further measurements will be made. With no drawing to follow, this method forces him to juggle the many aspects of art (shapes, values, edges and color) at the same time.”

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