Price | Bid Increment |
---|---|
$0 | $100 |
$2,000 | $250 |
$5,000 | $500 |
$10,000 | $1,000 |
$20,000 | $2,500 |
$50,000 | $5,000 |
$100,000 | $10,000 |
Available payment options
If you are the winning bidder, you will receive an invoice (via email) within 3 days.
SHIPPING If you are shipping your items out of state, you may or may not have to pay tax for your state. After the auction, if you are the winning bidder you will be emailed the link to our Shipping Form to fill out (as soon as possible). If applicable your invoice will be revised and re-sent according to your state's Nexus tax laws. Shipping Instructions Form here: https://scottsdaleartauction.com/shipping-instructions/ The form asks for a credit card. In addition to the $100 per lot deposit included on your invoice for shipping, your card will be charged and you will receive an updated invoice for any charges over and above the deposit. IMPORTANT: If you choose to coordinate shipping through a third party shipping company or pickup your items from the auction we are required by Arizona State law to charge sales tax on this transaction AND our insurance will not cover the shipment. Your item(s) will be shipped (or released for third party shipping) after verification of good funds.
Provenance: West Wind Fine Art, Coeur d’Alene, ID The McCloy Collection, Norman, OK Coeur d’Alene Art Auction, Reno, NV, 2017 Private Collection, Texas Renowned around the world as an artist’s artist and respected as a teacher, Richard Schmid was a believer in the alla prima method—often called “wet on wet” or “direct painting,” which was Schmid’s preferred term—which meant to finish a painting in one sitting or a single session. The artist was beloved for his landcapes, nudes, portraits and, seen here with Summer Lilies, his floral paintings. The artist was famous for truly loving the act of putting paint to canvas. “I have been a painter for my entire adult life,” Schmid wrote in Alla Prima II: Everything I Know About Painting—and More. “In all of that time I have never been able to ignore the wonders possible in painting.”