Scottsdale Art Auction
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Spring 2026 | Session I (Lots 1-195)

Fri, Apr 10, 2026 03:00PM EDT
  2026-04-10 15:00:00 2026-04-10 15:00:00 America/New_York Scottsdale Art Auction Scottsdale Art Auction : Spring 2026 | Session I (Lots 1-195) https://bid.scottsdaleartauction.com/auctions/scottsdale-art-auction/spring-2026-session-i-lots-1-195-21831
This will be a two-day auction April 10th and 11th, 2026 featuring over 400 works. All lots displayed and open to the public for viewing beginning March 23, 2026 in our state-of-the-art exclusive showroom in Scottsdale, Arizona. Private viewing can be arranged by calling (480) 945-0225 or email info@scottsdaleartauction.com. Scottsdale Art Auction miranda@scottsdaleartauction.com
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Marjorie Reed (1915-1996) 16 x 20 inches
Lot 27

Marjorie Reed (1915-1996) 16 x 20 inches

Estimate: $1,500 - $2,500
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Starting Bid
$600
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$0 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,500
$50,000 $5,000
$100,000 $10,000
Artist: Marjorie Reed Title: Cowboy at Work Medium: Oil on board Dimensions: 16 x 20 inches Signed: Signed and dated 1938 lower right Framed/Base: 23 x 27 inches

Condition

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This lot's overall appearance is Good. For more details please view the attached Condition Report.

Condition Reports are for guidance only and should not be relied upon as statements of fact, and do not constitute a representation, warranty, or assumption of liability by Scottsdale Art Auction. Scottsdale Art Auction strongly encourages in-person inspection of items by the bidder. All lots offered are sold “AS IS”. Please refer to item two (2) in our Terms and Conditions for further information.

Overall Dimensions
Height: 23.00
Width: 27.00

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Provenance:
John Moran Auctioneers, Monrovia, CA, 2001
Private collection, Minnesota
 
Cowboy at Work shows a rider clinging to the neck of a steer as his horse gallops next to him. Steer wrestling, or bulldogging, was an interest of Marjorie Reed, who painted it several times in her long career. The California-based artist was primarily known for her thrilling paintings of stagecoaches, and yet she also painted working cowboys frequently. Reed worked on a ranch at least once, as did her husband, cowboy and occasional outlaw Harvey Day, whose name Reed sometimes signed on her paintings to pass as a male painter. This piece was completed in 1938, not long after Reed became friends with artist Jack Wilkinson Smith.

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