Scottsdale Art Auction
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Spring 2026 | Session 2 (Lots 196-462)

Sat, Apr 11, 2026 03:00AM EDT
  2026-04-11 03:00:00 2026-04-11 03:00:00 America/New_York Scottsdale Art Auction Scottsdale Art Auction : Spring 2026 | Session 2 (Lots 196-462) https://bid.scottsdaleartauction.com/auctions/scottsdale-art-auction/spring-2026-session-2-lots-196-462-22666
This will be a two-day auction April 10th and 11th, 2026 featuring over 400 works. All lots displayed and open to the public for viewing beginning March 23, 2026 in our state-of-the-art exclusive showroom in Scottsdale, Arizona. Private viewing can be arranged by calling (480) 945-0225 or email info@scottsdaleartauction.com. Scottsdale Art Auction miranda@scottsdaleartauction.com
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Richard Schmid (1934-2021) 12 x 20 inches
Lot 318

Richard Schmid (1934-2021) 12 x 20 inches

Estimate: $20,000 - $30,000
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Starting Bid
$15,000
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$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,500
$50,000 $5,000
$100,000 $10,000
Artist: Richard Schmid Title: Carnation and Gold Medium: Oil on canvas Dimensions: 12 x 20 inches Signed: Signed lower right Verso: Signed, titled and dated 1985 verso Framed/Base: 23 x 31 inches

Condition

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This lot's overall appearance is Excellent. For more details please view the attached Condition Report.

Condition Reports are for guidance only and should not be relied upon as statements of fact, and do not constitute a representation, warranty, or assumption of liability by Scottsdale Art Auction. Scottsdale Art Auction strongly encourages in-person inspection of items by the bidder. All lots offered are sold “AS IS”. Please refer to item two (2) in our Terms and Conditions for further information.

Overall Dimensions
Height: 23.00
Width: 31.00

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This lot is accompanied by a signed Artist Proof 28/50 print (11 3/4 x 19 3/8 inches), 1990, The Greenwich Workshop, Inc. and the chalice used as a subject for this piece.
 
Provenance:
Private collection, Kansas
 
“Antique dolls are fascinating. You might think I’m rather a bit too old, not to mention the wrong gender, to regard dolls with any interest other than their high value these days,” wrote Richard Schmid in Alla Prima II: Everything I Know About Painting—and More. “However, from both a sociological and artistic point of view, dolls are rich subjects in many ways. Dolls are little versions of people, not so much of ourselves as such, but rather of how we choose to see ourselves. The dolls of any period or place are little idealized renditions of the people who made them. They are also clothed and coiffured according to their contemporaneous status (just as we are)…Though they can sometimes seem spooky, dolls continue to engage me, especially the well-worn ones with one eye left—which I know have been loved by a human child.”

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