Scottsdale Art Auction
Live Auction

Spring 2026 | Session 2 (Lots 196-462)

Sat, Apr 11, 2026 03:00AM EDT
  2026-04-11 03:00:00 2026-04-11 03:00:00 America/New_York Scottsdale Art Auction Scottsdale Art Auction : Spring 2026 | Session 2 (Lots 196-462) https://bid.scottsdaleartauction.com/auctions/scottsdale-art-auction/spring-2026-session-2-lots-196-462-22666
This will be a two-day auction April 10th and 11th, 2026 featuring over 400 works. All lots displayed and open to the public for viewing beginning March 23, 2026 in our state-of-the-art exclusive showroom in Scottsdale, Arizona. Private viewing can be arranged by calling (480) 945-0225 or email info@scottsdaleartauction.com.
Scottsdale Art Auction miranda@scottsdaleartauction.com
Lot 317

Richard Schmid (1934-2021) 18 x 30 inches

Estimate: $25,000 - $35,000
Starting Bid
$15,000

Bid Increments

Price Bid Increment
$0 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,500
$50,000 $5,000
$100,000 $10,000
Artist: Richard Schmid Title: Rist Canyon Barns Medium: Oil on canvas Dimensions: 18 x 30 inches Signed: Signed and dated 1992 lower right Verso: Signed, titled and dated 1992 verso Framed/Base: 27 x 40 inches This lot's overall appearance is Excellent. For more details please view the attached Condition Report.

Condition Reports are for guidance only and should not be relied upon as statements of fact, and do not constitute a representation, warranty, or assumption of liability by Scottsdale Art Auction. Scottsdale Art Auction strongly encourages in-person inspection of items by the bidder. All lots offered are sold “AS IS”. Please refer to item two (2) in our Terms and Conditions for further information.

Overall Dimensions
Height: 27.00
Width: 40.00

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Provenance:
Regina Giesecke Collection, Ballinger, Texas
Sold by decent in family partnership, Scottsdale, Arizona
 
Literature:
The Landscapes, Richard Schmid, Stove Prairie Press, LLC, p. 140
 
This 1992 painting was inspired by Rist Canyon near Fort Collins, Colorado. The gray, overcast day could be tricky for his students, especially when colors were muted and dull, and yet Schmid used an overcast day as a teaching tool. “Why overcast? Because sunlight is diffused evenly throughout the cloud layer, and it produces the near ideal color balance…” he wrote in Alla Prima II: Everything I Know About Painting—and More. “Overcast also tends to be stable, providing generous time for painting.” For Schmid, every scenario was a teachable moment.